Ayumi Hamasaki – Party Queen
03/28/2012 at 7:30 AM | Posted in Ayumi Hamasaki | 4 CommentsTags: album, ayumi hamasaki, party queen, review
~Album~
Ayumi Hamasaki – Party Queen
1. Party Queen
2. NaNaNa
3. Shake it❤
4. taskebab
5. call
6. Letter
7. reminds me
8. Return Road
9. Tell me why
10. a cup of tea
11. the next LOVE
12. Eyes, Smoke, Magic
13. Serenade in A minor
14. how beautiful you are
So with no prior singles, except for how beautiful you are which was released not too long ago and is a digital single so it doesn’t really count even though I reviewed it… we have this album with all new songs! Continue Reading Ayumi Hamasaki – Party Queen…
how beautiful you are – Ayumi Hamasaki
02/22/2012 at 11:00 AM | Posted in Ayumi Hamasaki | Leave a commentTags: ayumi hamasaki, digital single, how beautiful you are, party queen, review
~Single~
how beautiful you are – Ayumi Hamasaki
1. how beautiful you are
2. how beautiful you are (Instrumental)
A short one today, a digi single in anticipation for her new album Party Queen, which I can’t wait for.
“how beautiful you are” is naturally a ballad and quite a typical one for Ayumi. One thing I must commend is the simplicity of the arrangement. It’s not overly grandiose which was refreshing, though it does build a little as the song progresses so it’s definitely not a bore at the same time. The song contains piano and strings and the occasional harp which makes it that much more lovely. I really liked the vocalizing in the bridge and even more so when it built up after the first round, it’s probably one of my favorite parts of the song.
Score – 8
Final Note
Not bad, honestly, really can’t wait for all the new songs coming from the upcoming album.
Overall Rating
Ayumi Hamasaki – FIVE
08/31/2011 at 11:04 PM | Posted in Ayumi Hamasaki | 2 CommentsTags: ayumi hamasaki, five, mini album
~Mini-Album~
Ayumi Hamasaki – FIVE
1. progress
2. ANother song feat. URATA NAOYA
3. Why… feat. JUNO
4. beloved
5. BRILLANTE
After two albums in just one year last year, Ayu takes a little bit of a break and slows it all down by quietly releasing this gem.
What feels like a LONG time ago, it was announced that Ayu would do the theme song for the newest Tales of game, Tales of Xillia. Fast forward to now and the song “progress” is out and it’s beautiful and awesome for a video game theme and an Ayu song by itself. It starts out pretty quiet, simple piano and strings with Ayu singing the first verses and chorus. After that however, everything picks up! In comes fast strings, percussion and a grungy electric guitar start up and the song really gets going. The most impressive is the chorus now as Ayu is really putting her all into and she sounds really strong in it, it flows perfectly too, and is wicked catchy. She finishes the song with what seems like an extra syllable tacked onto the last line of the last chorus which I found cool and tacks on some vocalizing (WOAH WOAH WOAHHH) which flows so well and ends the song off perfectly.
Score – 9.5
“ANother song” features Urata Naoya whom Ayu collaborated with last year for Dream ON. Also geddit? ANother? AYU NAOYA. A. N. ANYWAY… moving on. This song is kind of a medium ballad with some synths and rhythmic clapping going the entire time. I’m still not a huge fan of Naoya’s voice although am getting used to it I suppose. The song seems kinda bland because there isn’t much different in the verses and when the chorus hits, though when the bridge hits you know it. A little bit of key changing in the final choruses spices things up a bit. Not a bad song, but just kinda… nice? Eh.
Score – 8
Another collab is up next with “Why…” which features JUNO. I like his voice a bit better than Naoya’s but hey, whatever… This song is a bit of a bigger ballad that’s a bit more involved. The verses are fairly quiet and everything gets a bit loud in the chorus which is bursting with percussion and strings. I thought their voices blended a bit better as well during the chorus and such. I liked the back and forth vocals and overall structure featured in the bridge. I find Ayu doesn’t do many collabs and maybe I like it better that way, but this one’s not bad at all.
Score – 8.5
Now for a real Ayu ballad “beloved” is beautiful and heartfelt. The verses are calming with prominent piano and background strings. I like how the strings become more involved once the chorus hits and the building of everything overall as the first chorus comes to a close and percussion and chimes come into the mix. I loved the melody during the bridge and the slight vocalizing featured in it was beautiful. Wish the outro was a little more involved, although the vocalizing was nice.
Score – 9
And here is the mini album closer. “BRILLANTE” pronounced ‘brill-on-tay’ is something else altogether. The song features some really interesting ethereal sounds and starts off with male chanting in (I think) Latin. Everything builds slightly and quite suddenly explodes into a bit of Arabic and even Egyptian sounding influences. Everything quiets down as Ayu actually starts singing which for some reason sounds more beautiful than ever. Everything picks up, including the chanting during the chorus. There is something really raw about Ayu’s voice when she is singing here and I think it works absolutely great. The music and arrangement are I suppose on par with some kind of big, movie soundtrack sounding song, it’s all really impressive. The bridge is positively beautiful and could bring me to tears in a weaker state. The ending is interesting also in that it’s a bit extended and features some more chanting. The background music also stutters a bit and starts repeating exponentially and it all comes to an abrupt end.
Score – 10
*Note*
Upon my first listen I did stumble upon FIVE’s hidden track. Unfortunately this song is only a slightly alternate / different version of “Why…” and it features Urata Naoya instead of JUNO. It’s a bit more upbeat and I really enjoyed listening to it. Would have killed for a completely new song though. No ratings for this song though. Go buy this mini and give it a listen!
Final Note
I’ve heard a lot of negativity is surrounding FIVE and I quite honestly don’t know Why… progress and BRILLANTE are some of Ayu’s best songs TO DATE, BRILLANTE even being a song I considered to be one of her best ever, in all honesty.
Overall Rating
Ayumi Hamasaki – Love songs
12/22/2010 at 3:06 PM | Posted in Ayumi Hamasaki | 3 CommentsTags: album, ayumi hamasaki, love songs, review
~Album~
Ayumi Hamasaki – Love songs
1. Love song
2. crossroad
3. MOON
4. sending mail
5. Last angel
6. insomnia
7. Like a doll
8. Aria
9. blossom
10. Thank U
11. Sweet Season
12. overture
13. do it again
14. November
15. Virgin Road
16. SEVEN DAYS WAR (Live at Yoyogi on Oct.11.2010) [Bonus Track]
Whew, this girl doesn’t quit, she’s already released an album this year, and hot off the heels of her 3 single project she releases yet another album. Some people might not approve, but personally I really enjoy her music, so the more the merrier. Continue Reading Ayumi Hamasaki – Love songs…
Ayumi Hamasaki – L
09/28/2010 at 11:03 PM | Posted in Ayumi Hamasaki | Leave a commentTags: 50, ayumi hamasaki, l, last angel, single, sweet season, virgin road
~Single~
Ayumi Hamasaki – L
(This track listing is a culmination of all versions of the single)
1. Virgin Road
2. Sweet Season
3. Last Angel
4. crossroad (Orchestra Version)
5. SEVEN DAYS WAR (Orchestra Version)
6. SEVEN DAYS WAR (TK Acoustic Piano Version)
7. Virgin Road (Instrumental)
8. Sweet Season (Instrumental)
9. Last Angela (Instrumental)
This is the final single in Ayumi’s 3-single project culminating in this single, the 50th! On a fun side note, “L” represents the number 50 in Roman numerals.
Ahh, “Sweet Season”. It really is just a nice sweet song surprise, surprise. The music is actually kind of interesting because it features some Country music influences. I thought it was cool how Ayu sung about each of the seasons. The chorus was the high point and it sounded bittersweet and I liked how she ended each one with “Kira Kira Kira…”
Score – 9
I think “Virgin Road” is amazing, bordering on the epicness of BALLAD. It’s heartfelt and sounds like it has a really powerful message. The chorus especially sounds amazing with Ayu’s vocals and those awesome yet subtle strings. I liked how quiet the beginning was, but I didn’t mind too much when it became more involved with percussion after the first chorus.
Score – 9.5
Get ready because “Last Angel” takes you for a spin. The song starts off with some great strings, but even I was like “Another slow song?” but that’s when it all changed. A fast beat suddenly comes creeping in, followed by a thumping beat on top of that, it suddenly stops, replaced by Ayu and a darker toned piano playing. As the chorus starts the techno/club sound comes back in and the rhythm here is quite refreshing. It sounded like something she would have done in the “I am…” era, yet updated. I thought it was brilliant.
Score – 9.5
I thought the “Orchestra Version” of crossroad gave the song quite a different feel especially during the chorus. The usual fare applies here as far as Orchestra Versions go, but it was interesting nonetheless.
Score – 8.5
I liked the instrumental itself of the “Orchestra Version” of SEVEN DAYS WAR, at first I found this version to be a little boring, I thought it sounded a little too similar to the original so it didn’t really have anything new going on however towards the very end, the strings and percussion made things a bit more interesting.
Score – 8
I didn’t realize how low Ayu’s vocals were in SEVEN DAYS WAR until I listened to the “TK Acoustic Piano Version” It’s much quieter and mostly just features vocals and soft piano. Towards the end though the “lalala”s come in and some simple organ starts playing.
Score – 8
Final Note
I’m not sure what’s next for Ayu after this, but I love the direction she’s going in.
Overall Rating
Ayumi Hamasaki – crossroad
09/23/2010 at 3:01 PM | Posted in Ayumi Hamasaki | Leave a commentTags: ayumi hamasaki, crossroad, single
~Single~
Ayumi Hamasaki – crossroad
(This track listing is a culmination of all versions of the single)
1. crossroad
2. SEVEN DAYS WAR
3. blossom (Clockwork Yellow Remix)
4. MOON (Orchestra Version)
5. blossom (Orchestra Version)
6. crossroad (Instrumental)
7. SEVEN DAYS WAR (Instrumental)
This is the second single in Ayumi Hamasaki’s 3 single project leading up to her 50th single entitled “L”. Ayumi finally releases a single a-side for the first time since Talkin’ 2 myself (that is, if you don’t count her 10th Anniversary Single “Mirrorcle World”).
Right off the bat “crossroad” is definitely a different, it has this kind of hybrid classic/new sound to start. I always like when artists mix old with new. It’s arrangement and structure are also a little different than what Ayu tends to do. I loved the chorus, even more so in the end when she added the extra words and emphasis onto the end of the final chorus.
Score – 9
“SEVEN DAYS WAR” is a cover of a song originally by TM Network. This is a pretty good cover with Ayu mostly keeping true to the original song but adding her own flair here. The music seems a bit more upbeat than the original and features a small chorus “lalala” ing in the background towards the end.
Score – 8
The “Clockwork Yellow Remix” of blossom gives the song a really different, electronic, futuristic sound to it. The pacing is quite different naturally. I found the chorus here to be actually pretty good.
The “Orchestra Version” of MOON has a small but gorgeous instrumental opening. Harp starts as soon as Ayumi starts singing and strings come in on the leadup to the chorus which is surprisingly quiet and bare to start, with the second half of the chorus bringing most of the instruments softly back in. I thought this made for quite an interesting effect. The instrumental outro was also exceptionally pretty and ended seemingly sudden. Truly a beautiful version of this song.
Score – 8.5
I really liked the lamenting yet seemingly happy piano featured in blossom’s “Orchestra Version”. I loved the violin in the chorus and overall how this version changed the feel of the whole song a bit. The outro here was also really pretty.
Score – 8.5
Final Note
Glad to see things changed just a tad with this single here, now onto the 50th!
Overall Rating
Ayumi Hamasaki – MOON / blossom
07/13/2010 at 6:05 PM | Posted in Ayumi Hamasaki | Leave a commentTags: /, ayumi, blossom, hamasaki, moon, single
~Single~
Ayumi Hamasaki – MOON / blossom
(This track listing is a culmination of all versions of the single)
1. MOON
2. blossom
3. Microphone (THE LOWBROWS remix)
4. Last Links (Orchestra Version)
5. Don’t look back (Reggae Disco Rockers Remix)
6. meaning of Love (Acoustic Piano Version)
7. MOON (Instrumental)
8. blossom (Instrumental)
YAY! Finally this single is released, I have been waiting for it for so long 
This single marks the start of a “3 Single Project” from Ayumi, which I am really excited about. It all leads up to her 50th single!
“MOON” is a really powerful rock-ish ballad. Coming off of Rock ‘n’ Roll Circus, it really reminded me of Last Links instantly, which was a good thing, Last Links was by far one of my most favorite album tracks. I really liked the calming intro that is suddenly interrupted by blaring electric guitar as the rest of the instruments come in. The lyrics are really good and made the song just that much better for me. The chorus is great as well, feeling especially powerful by the way Ayumi sings it.
Score – 9
As soon as I heard blossom in it’s respective CM I was instantly in love with it and wanted to hear the whole thing. Just a small detail that I liked about blossom was the short and soft piano intro and outro. As much as I wish it sounded all around more happy, I kind of like the darker vibes I got from it. This is due to the electric guitar used throughout, especially during the bridge where it reminded me of the fairyland bridge. Even though I say that, I think it’s still a bit different from other “summer songs” Ayumi has put out in the past. Just a small detail that I liked about blossom was the short and soft piano intro and outro. The chorus is really infectious too, I was running about my house like “SOSHITE BOKURA WAAAA ARU KI HAJIMETAAAA” XD OK I think I’ve gone on about blossom long enough
Score – 8.5
So once again, even though it’s probably getting old, I will proclaim my hate for remixes. But this is another one of those exceptions ^o^ I can actually stand “THE LOWBROWS remix” of Microphone because it’s still maintains some semblance of a song. I didn’t love everything, like some of the “skipping” vocals, but it still has a good beat and is fun to listen to. I thought that the new beat and melody went well with the vocals too.
Score – 7
One of my favorite tracks off Rock ‘n’ Roll Circus gets an epic upgrade. The “Orchestra Version” of Last Links is just stunning. It adds some of the most beautiful strings I’ve ever heard, some harp and a little percussion. The last chorus when everything comes together, brought a tear to my eye. I never wanted this to end.
Score – 9
Don’t look back was already a unique song for Ayu, and the “Reggae Disco Rockers Remix” makes it even more unique, giving it a completely new, Reggae sound. There’s some synth mixed in here as well, all together, the music melded with the vocals really well. I don’t normally like anything Reggae, but this kind of tropical sound made for a really nice listen.
Score – 7.5
meaning of Love already had piano in it, but the “Acoustic Piano Version” of it nixes all other instruments and sounds and boosts the piano quite a bit. It’s more intricate, and makes the song sound a bit softer and sweeter. I always like the keys used in the chorus and the song as a whole so this was enjoyable, but I like the original a bit more.
Score – 8
Final Note
MOON and blossom were great remixes were awesome, couldn’t ask for more, this was a hell of a way to start this project and I hope it just goes up from here.
Overall Rating
Ayumi Hamasaki – Rock ‘n’ Roll Circus
04/16/2010 at 4:16 AM | Posted in Ayumi Hamasaki | 2 CommentsTags: album, and, ayumi, circus, hamasaki, n, review, rock, roll
~Album~
Ayumi Hamasaki – Rock ‘n’ Roll Circus
1. THE introduction
2. Microphone
3. count down
4. Sunset ~LOVE is ALL~
5. BALLAD
6. Last Links
7. montage
8. Don’t look back
9. Jump!
10. Lady Dynamite
11. Sexy little things
12. Sunrise ~LOVE is ALL~
13. meaning of LOVE
14. You were…
15. RED LINE ~for TA~ [album version]
When this album was first announced I was really fiending for it. I think this is mostly because there were two double A-side singles already, and then Don’t look back and Microphone were revealed in their respective commercials. I was worried that there was just going to be another double A-side single so you can imagine my relief when the album was officially announced. Anyway, I’ve gone on quite enough, on with the review.
The album starts off with an intro, fittingly called, “THE introduction”. In all honesty it reminded me of some retro creepy video game theme or something. That’s a good thing though, I really enjoyed listening to it and it flows well with the creepy organ opening of Microphone.
Score – 8.5
I am in love with “Microphone” and I have been ever since I first heard it. The songs starts out with a crazy cool organ playing and suddenly the drums and guitar coming blaring in along with some shouts from Ayumi. She sings in a lower key and when she gets up to the chorus she really puts some power behind her voice. The guitar solo in the bridge can’t be beat and Ayumi singing here reminds me of the Mirrorcle World bridge for some reason. The final two choruses are really great I thought the organ coming in as an outro was just perfect finally ending with Ayumi saying in English “Tell me why, tell me why!”.
Score – 9
“count down” starts with this blaring riff that leads into a solo piano followed by some light beats. I really liked the turntable scratching sound being used in the background. I also liked how the chorus felt, it has some power behind it I feel, and the subject matter matches that for sure. The bridge features some vocalization but a focus on those turntable scratches which I thought was a bit different and really added something to the song.
Score – 9
“Sunset ~LOVE is ALL~” is up next and is actually from on the first single that I ever review for the blog 
It’s a really great ballad that still maintains a summer feel to it. I thought Ayumi’s vocals while simple, were still emotional as always. It’s just a really nice ballad in my opinion.
Score – 8.5
Speaking of ballads, guess what’s up next. That’s right, it’s “BALLAD“. Obviously BALLAD is a ballad but it is a truly amazing one at that. Everything from it’s eastern influence to the sweeping strings and piano to Ayumi’s heartfelt vocals just make the song one of the best ballads from Ayumi yet.
Score – 10
What can I say about “Last Links”? I absolutely love it. It starts off with a great acoustic guitar and some violin. It just had an awesome feel for me. The chorus really shines for me and I thought it was it was great. Something about this track, it’s become my favorite from the non-promo songs released.
Score – 10
Our first interlude “montage” is creeeeepy. It reminds me of classic horror movie music or something. It starts out like that but towards the end things change and in comes some harpsicord backed by lighter, even upbeat, strings.
Score – 8.5
“Don’t look back” is really different from anything that I have personally heard from Ayumi. This song is extremely middle eastern influenced and you can tell right from the get go. You hear those sounds, and then the synth slowly starts to creep in and everything comes together really nicely. I liked the message of the song and the way Ayumi sings it.
Score – 9
Don’t look back is really like an interlude song for the album separated by two actual interludes, “Jump!” finishes us off. It had a pretty good beat, and before I knew it, I was bobbing my head to it and singing along with the constant voice yelling “Jump! Jump! Jump! Jump! Jump! Jump!” which is backed by some vocalizing by Ayumi.
Score – 8.5
When I first saw that there was going to be a song called “Lady Dynamite”, my first reaction was “Whoa, WHAT a title.” I will say that the song didn’t really live up to my expectations but it is still a decent track. I liked the fast paced feel of the music even though the singing itself isn’t really fast. The chorus is where the song falls short for me, given the lyrical content, I thought it could have been a lot louder, a bit more brazen in sound, if you will. Ayumi’s somewhat sarcastic and cocky singing are what pulls the song together for me.
Score – 8.5
If there is one track I might like more than Microphone, it’s “Sexy little things”. The song is and starts off very electric and synthy, but once Ayumi starts singing, it takes on this swing, 50′s style kind of sound and feel. That continues onto the chorus and you just want to tap your foot and snap your fingers to it, I really liked that about this song. It’s an extremely pop like song and Ayumi sings in a traditional cute way and tone. The ending is a little weird and finishes off with slightly different sound, and believe it or not, harp.
Score – 10
“Nee motto ookina koi de! Motto Ookina ai wo!” this is still stuck in my head all the way from the summer. “Sunrise ~LOVE is ALL~” keeps the pop flowing . This was of course last years traditional Ayumi Hamasaki Summer single but I have no complaints. It’s fun to listen to and it is catchy as hell.
Score – 9
“meaning of Love” is really the only cutesy kind of song this album has. It reminded me of some things that Ayu has done before, but she’s given it a slightly new twist. It has a nice melody and I really loved how the chorus went. It’s not remarkable, but I really liked it.
Score – 9.5
“You were…” another ballad, being featured on a “Winter” single still somewhat maintains a slightly winter theme and feel to me. But that’s no problem, it’s still a really pretty and heartfelt song.
Score – 9
“RED LINE ~for TA~ [album version]” closes of the album very well, and I thought this was the perfect place to put it. I was actually really hoping it would be on the album after hearing the original on the You were… / BALLAD single. The “lalala” sequence at the end is slightly elongated and and Ayu joins in prominently which fades into just her and a soft organ playing. She finishes it off by repeating a bit of the first chorus a cappella. I would’ve loves for it to have stopped at the organ playing part, but I guess I don’t mind the chorus bit.
Score – 10
Final Note
Thank you Ayumi Hamasaki for another solid album. Honestly, to me, this album was really great and I had next to no complaints. She did some newer things and I was really impressed at how they turned out. I really liked Microphone, countdown, Last Links, Don’t look back, and Sexy little things. It may be called Rock ‘n’ Roll Circus, and I might have even wanted a bit more Rock & Roll, but it does have variety. Give it a shot.
Overall Rating
Ayumi Hamasaki – You were… / BALLAD
12/28/2009 at 8:03 PM | Posted in Ayumi Hamasaki | Leave a commentTags: ayumi hamasaki, ballad, review, single, you were
~Single~
Ayumi Hamasaki – You were… / BALLAD
1. You were…
2. BALLAD
3. RED LINE ~for TA~
4. You were… (Music Box mix -retake version-)
5. Sunset ~LOVE is ALL~ (Orchestra version)
6. You were…(Instrumental)
7. BALLAD (Instrumental)
8. RED LINE ~for TA~ (Instrumental)
After much delay Ayumi Hamasaki finally releases another Double A-side single You were… / BALLAD. Naturally, given the season, it is of course Winter themed
“You were…” starts off very Winter/Christmas sounding with its assorted bells and piano. The high point of this up tempo ballad, the chorus, crashes in and features some nice strings. The sequence during the bridge, featuring prominent electric guitar, is what I loved the most.
Score – 9
“BALLAD” is a much softer ballad and it features some traditional eastern influences. I loved Ayumi’s strong, powerful and emotional vocals backed by sweeping strings. This song features a beautiful bridge which leads into strings and then back into the song. I also loved how fleeting the ending was.
Score – 10
“RED LINE ~for TA~” was a bit of a surprise. I really liked the structure of the song and it features a pretty different sound. I really loved the catchy chorus the most. For some reason I thought the “Lalalas” at the end really closed the song off nicely if only to make up for the abrupt ending.
Score – 10
I actually really liked the “Music Box mix -retake version-” of You were… and I didn’t think I would at first. It made the song seem a bit more tender which I thought was nice. I liked the winding sound used in the bridge and I absolutely loved the organ that came in in the end.
Score – 9
Sunset ~LOVE is ALL~ returns with an (Orchestra version). I thought this was a nice reworking of the song and really gave it a grand scale feel. Out of all the additional instruments I really liked the harp and horn that I heard.
Score – 9
Final Note
This single is solid, You were… is to be expected but it’s still good, BALLAD is just… amazing.*dies*
Overall Rating
Ayumi Hamasaki – Sunrise / Sunset ~LOVE is ALL~
08/13/2009 at 5:51 PM | Posted in Ayumi Hamasaki | Leave a commentTags: ayumi, hamasaki, sunrise, sunset
~Single~
Ayumi Hamasaki – Sunrise ~LOVE is ALL~ / Sunset ~LOVE is ALL~
1. Sunrise ~LOVE is ALL~
2. Sunset ~LOVE is ALL~
3. fairyland-glitter-BLUE BIRD-Greatful days-July 1st Mega-Mash-Up-Mix
4. Sunrise ~LOVE is ALL~ (Instrumental)
5. Sunset ~LOVE is ALL~ (Instrumental)
Ayumi Hamasaki recently released her new single Sunrise / Sunset ~LOVE is ALL~. Now, it’s her first single after her album NEXT LEVEL so I was really excited that she was releasing new songs so soon.
I listened to “Sunrise ~LOVE is ALL~” and I thought it was pretty good. It had that “I’m listening to a song in the summertime and it really fits the mood” kind of feeling because it’s happy sounding, upbeat and such. You probably know the feeling I’m talking about.
Score – 9
“Sunset ~LOVE is ALL~” is almost the same song. It features the exact same structuring and the two songs share some lyrics. This time though, it’s a ballad so all of the typicalities apply. While the concept isn’t new, I thought it was creative nonetheless and I am hooked on it. Unfortunately it does give you that “end of the summer” feel but I still like it.
Score – 8.5
When it comes to anything like this “Mega Mash-Up Mix” I normally roll my eyes and skip over it but I gave this one a listen anyway. It features almost all of her past “summer type songs”: fairyland, glitter, BLUE BIRD, Greatful Days, and July 1st. It was actually the first time I heard July 1st, a little late I know. I liked it only because it really showed just how different all of these songs are.
Score – 8
Final Note
Typical summer single, but of course, catchy as hell.
Overall Rating
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